Vocabulary in the

Kansai speakers use regional words that manga writers use to establish a character as being from the area. This page introduces common examples, including あかん, the Kansai counterpart to ダメ for something unacceptable or no good.

Kansai dialect differs from standard Tokyo Japanese in pronunciation, grammar, and vocabulary. Manga often use recognizable Kansai words to establish where a character is from.

The comparisons below read standard Japanese → Kansai. Meanings depend on context, and some of these words also occur outside Kansai. See Grammar in the Kansai dialect for や, へん, ねん, and other grammatical forms.

Common Expressions

These expressions give a response, make a judgment, or move the conversation along.

Standard Japanese Kansai Meaning and Use
本当(ほんとう)・本当(ほんとう)に ほんま・ほんまに “True”, “really”, or “seriously”. 「ほんま?」 means “Really?”
ありがとう おおきに “Thank you”. It can give a line a local or traditional flavor.
ダメ・いけない あかん “No good”, “not allowed”, or “that won’t do”. It also forms part of 〜なあかん, “must do”.
違(ちが)う・ではない ちゃう “That’s different”, “that’s wrong”, or “isn’t”, depending on the sentence.
いい・よい ええ “Good” or “okay”, as in 「ええやん」, “That’s good!”
構(かま)わない・大丈夫(だいじょうぶ) かまへん “I don’t mind” or “It’s fine”. Often gives permission or reassurance.
仕方(しかた)ない・しょうがない しゃあない “It can’t be helped”. The tone can be accepting or annoyed.
じゃあ・それでは・それなら ほな・ほんなら “Well then” or “in that case”. Also used when taking leave.

The word ちゃう in 「ちゃうねん」, “That’s not it”, differs from the ending in 「食(た)べちゃう」. The latter is a standard colloquial contraction of 食(た)べてしまう.

Descriptions and Reactions

These words describe how something feels or what a character thinks of it.

Standard Japanese Kansai Meaning and Use
面白(おもしろ)い おもろい “Interesting” or “funny”. The negative おもんない corresponds to 面白(おもしろ)くない.
つまらない・くだらない しょうもない “Boring”, “trivial”, or “silly”. Can dismiss a joke, thing, or person’s behavior.
疲(つか)れた・つらい・きつい しんどい “Tired”, “exhausting”, or “hard to bear”. Context determines whether the strain is physical or otherwise.
大変(たいへん)・疲(つか)れる・すごく えらい Can describe difficulty or fatigue, or intensify another description. 「体(からだ)がえらい」 means the body feels worn out.

Quantity and Degree

These words ask about an amount or describe how much there is.

Standard Japanese Kansai Meaning and Use
いくら なんぼ “How much?” Often asks about a price, as in 「これなんぼ?」
とても・すごく めっちゃ “Very” or “really”. This word is also common outside Kansai.
たくさん ぎょうさん “A lot” or “many”. Can contribute to an older or strongly regional voice in manga.
大(おお)きい・すごく・とても ごっつい “Big” or “substantial”. Before another description, it can also mean “very”.

Actions and Manner

These words describe an action or how someone does it.

Standard Japanese Kansai Meaning and Use
よく よう “Well” or “often” in relevant contexts, as in 「よう分(わ)からん」, “I don’t really understand”.
早(はや)く はよ “Quickly” or “hurry up”, as in 「はよ来(き)て」. Also written はよう.
ゆっくり・少(すこ)しずつ・まあまあ ぼちぼち “At an easy pace”, “little by little”, or “so-so”, depending on the phrase.
片(かた)づける・しまう なおす “Put away” in this regional use. Standard 直(なお)す also means “repair” or “correct”, so read it through the scene.
捨(す)てる ほかす “Throw away” or “discard”.

Family and Pronouns

Family terms and first-person pronouns can help establish a character’s voice.

Standard Japanese Kansai Meaning and Use
お母(かあ)さん・お父(とう)さん おかん・おとん “Mom” and “Dad”. These forms are also used beyond Kansai.
私(わたし)・俺(おれ) わて・わい First-person pronouns that manga can use for an older or stylized regional voice.

For the comic retort なんでやねん, see Comic Retorts.

Further Reading

Examples

Being at my limit is no good with あかん

Manga panel from 名探偵コナン showing example of Being at my limit is no good with あかん.
名探偵コナン » Volume 12 » Page 125

At a special event, the expected host doesn’t show for dinner. After finishing their meals, the guests continue to wait until past midnight. As most guests decide to retire to their rooms for the night, Heiji finds himself yawning.

平次(へいじ):
「あかんオレももう限界(げんかい)や…」
“No good, I'm also already at my limit...”

Following after is bad with あかん

Manga panel from ARIA The MASTERPIECE showing example of Following after is bad with あかん.
ARIA The MASTERPIECE » Volume 2 » Page 129

Alicia and Akari visit an island that’s modeled after part of Japan back on Earth. There, an elderly local woman tells the two of the fox spirits that visit the human world there. Akari is excited at the prospect of meeting one, but the old woman gives her a warning: on rare occasion, a fox will take a person back home with them.

おばあさん:
「神(かみ)さまの世界(せかい)と人間(にんげん)の世界(せかい)は違(ちが)うやさかい」
“Since the god world and the human world are different...”
「連(つ)れて行(い)かれたらあかん」
“...it is bad to follow along.”

Hurrying is no good with あかん

Manga panel from レンタルおにいちゃん showing example of Hurrying is no good with あかん.
レンタルおにいちゃん » Volume 2 » Page 122

After transferring schools, Daigo tries to become friends with everyone. However, Makoto repeated ignores Daigo before finally saying not to talk to him. The other classmates tell Daigo not to bother with Makoto.

大五(だいご):
「まだまだこっから…!」
“There's still a long way to go.”
「焦(あせ)ったらあかん」
“If I hurry it's no good.”